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Illusion Game (The Inner World) - Part 2

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Abstract: Our previous article sheds some light on to the nature of our human consciousness, the subtle meditative states one can attain and the final termination layer of our human mind. All these states, are witnessed through meditation as deep mental absorptions/samadhis. The nature of this termination layer really depends on the spiritual trajectory of the individual and their level of realization. Most of the time, the advanced practitioners from the Buddhist path go through this matrix/mirror-like state where our mind or awareness finally arrives to its own projection, that creates its own narratives, or rather illusions. Practitioners from other trajectories may have similar stories to share. However, at this mirror-like state, one starts to question everything he/she had witnessed so far; all the meditative experiences, signs, symbols and even the so-called past-life information. Whether they are based on our accumulated data supporting our belief system or whether is it absolu...

Mind, Consciousness, Jhanas, Samadhis and The Illusion Game !

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Abstract: There exist many interpretations to the term “consciousness”. In some of the Eastern and Western spiritual traditions, the consciousness is referred to as the highest meditative attainment and it is frequently equated with the “Godly” or the enlightened nature of our mind. However, in the Buddhist tradition, such an enlightened state is referred to as the “cessation of consciousness” in which, the gross-level human mind disappears. There’s no individuality or self-notion to grasp in it. However, our mind, when it operates with the five senses in day-to-day life, is also called consciousness in science, albeit this is the gross-level operation. There’s a contradiction in the usage of this term. This article demystifies the term “consciousness” and explains different meditative states one can attain with respect to our day-to-day mind. It is also worthwhile to study about the “illusion game” created by our consciousness and to navigate through its dramatic narratives. Fig. 1. ...